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🎨 Attic Black-Figure Lekythos attributed to the Emporion Painter (CAMU Δ 646)

  • Date (ca. 480-460 BCE), attribution (the workshop of the Haimon Painter and specifically to the Emporion Painter); and identification of scene (may have been inspired by Aeschylus' The Lion): Α. Ζarkadas, Herakles and the Lion in the Nemean Cave. Two New Examples of a Rare Iconographic Representation of the Wellknown Myth, in L. Cappuccin i, C. Leypold, M. Mohr (edd.) Fragmenta Mediterranea. Studi in onore di Christoph Reusser. P & A Canellopoulos Museum Inventory 2021. Accession date (donated to Greek state in 1972).
  • Collection
    Μουσείο Παύλου και Αλεξάνδρας Κανελλοπούλου / Paul and Alexandra Canellopoulos Museum, Athens
    Artifact URL
    https://www.manto-myth.org/blog/artifacts-in-manto-technical-im
    Source subtype
    Vessel
    Period
    Early Classical (ca. 480-450 BCE)
    Place of Creation
    🌍 Attica
    Archaeological Context
    No place of recovery captured by MANTO ()
    UNESCO Status
    In a collection or on the market prior to ratification
    Has depictions of
    👤 Heracles  👤 the Nemean Lion  🏺 the Bow of Heracles  🏺 the Club of Heracles  🏛️ the Cave of the Nemean Lion (Argolid)
    Commentary
    Date (ca. 480-460 BCE), attribution (the workshop of the Haimon Painter and specifically to the Emporion Painter); and identification of scene (may have been inspired by Aeschylus' The Lion): Α. Ζarkadas, Herakles and the Lion in the Nemean Cave. Two New Examples of a Rare Iconographic Representation of the Wellknown Myth, in L. Cappuccin i, C. Leypold, M. Mohr (edd.) Fragmenta Mediterranea. Studi in onore di Christoph Reusser. P & A Canellopoulos Museum Inventory 2021. Accession date (donated to Greek state in 1972).
  • Cite as: '🎨 Attic Black-Figure Lekythos attributed to the Emporion Painter (CAMU Δ 646)', MANTO, https://resource.manto.unh.edu/11312194 [last modified: 15 04 2024]
    Sharing and remixing permitted under terms of the Creative Commons Attribution 4.0 License (CC-BY-NC)
    MANTO aggregates data about ancient artifacts from information made available through publications, collections records, and other repositories. More details about the sources we have used frequently appears in Commentary. If you notice any omissions or inaccuracies, please contact us.